2013年1月4日金曜日

Freeman, The Wedding Complex (2002)

Freeman, Elizabeth. The Wedding Complex: Forms of Belonging in Modern American Culture.
Durham: Duke UP, 2002.


l   Marriage Question—culturally privileged status of couplehood (viii)
[M]arriage law ensures that privileges and benefits accrue to those who are willing to limit their outwardly acknowledged sexual relations to one other person, and to oblige themselves to the care and maintenance of that person and any chilfren that result from this union, “forsaking all others,” as the Protestant Book of Common Prayers puts it. This last dictum is important: marriage law may to a certain extent financially reward those who can limit the horizon of their social obligations, but it also allows the state to forsake the burden of caring for dependents. (viii)/ Crucially, cultural and legal recognition of same-sex couples would do nothing to enfranchise the relationships that have also been fundamental to queer life: friendships, cliques, tricks, sex buddies, ex-lovers, activist and support groups, and myriad others. (ix)/ What would the world be like if intimate couplehood did not have to function as an economic safety net for so many people? At the very least, I wished that if core human needs had to be met by private constituencies rather than public funds, people could share their perks within whatever small-scale social configurations they chose—in short, that institutions including the state would cease to make a singular form of love and sex into the matrix for its allocation of resources./ I have come to wish, more simply, that there were no such thing as legal marriage for straight people, gay people, or anyone else—no mechanism that privatizes and automatically packages together such incommensurate elements as the sharing of material goods and shelter, expectation of ongoing sexual relations, extension of institutional benefits, and social recognition of a relationship./ I have come to desire the final disappearance of what Michel Foucault labels the “deployment of alliance,” or the state’s maintenance of a social order by fixing the routes by which names, property, and other protected forms of cultural recognition travel. (ix)/ Yet the Foucauldian “deployment of sexuality” is not the endpoint I hope for either (nor it is Foucault’s). The task is still, as he says, to imagine and put into practice new ways of being in relation, and I would add, to imagine representational possibilities commensurate with these new modes of connection: to produce something like a deployment of affinity. (ix-x)/ A state that promotes marriage also disenfranchises people whose primary affinities do not get into the couple form and contributes to a culture that stereotypes these people as isolated failures, as immature and/or sexually indiscriminating, or as part of some mysteriously primitive social systems. (2)/ a monogamous, enduring, opposite-sex dyad with biological reproduction as its ostensible raison d’être (5)/ global sexual imperialism, promoting marital couplehood as a regime of sensation, subjectivity, and social  affinity that can cut across existing registers of race, class, nation, and even sexual orientation to produce something like a spousal planet. (6)

l   “Structure of feeling” (Raymond Williams)—new senses of collective being felt viscerally, in advance of their institutionalization in discourse. (5) sensuous sociability (43)

l   Wedding as the “nuptial pageant” (xiii)
many weddings worked out fantasies about collectivity and publicity: the desire to be part of something publicly comprehensible as social, to create some group form for which the bourgeois couple was not metonymic but antithetical or just irrelevant. (xiv)

l   Anachronism as Queer politics
The very form of a text, then, is part of how it works out the relations among suppressed or forgotten histories, the limitations or possibilities of a particular moment, and their imaginative transformation into a different future—the relations among has been, what must been, and what could be. This, too, is central of my understanding of queer politics: the idea that what has failed to survive, often most legible as mere residue in a cultural text, might be a placeholder for the not-yet. Working with literary and filmic text, I aimed to disinter two things: a history of the dialectic between the wedding form and the institutional control of heterosexual couplehood, and a future of possibilities for making minoritized or subjugated affinities between people more culturally legible. (xiii-xiv)/ to “queer” something is at once to make its most pleasurable aspects gorgeously excessive, even to the point of causing its institutional work to fail, and to operate it againt its most oppressive political results. (xv)

l   Social melancholia (9)
melancholia for effaced forms and practices of relationality rather than a singular love object—and the insistent return of what has been effaced. (9) いいコンセプトだな。Matriarchy as social melancholia?/ social melancholy, or a response to the process by which culture forecloses the possibility and even intelligibility of certain attachments as signs of the social (37)/ They also suggest melancholic attachments to social forms that might contest the primacy of nationhood without elevating hetero-reproductive kinship (40)

l   Capitalism and marriage
capitalism’s unmaking of the nuclear family, a process in which shopping, consuming, and advertising actually create constituencies that compete family ties. (9) the paradox whereby the rhetoric of consumer culture seems to idealize the nuclear household, while the conditions of capitalist production—the separation men’s and women’s workplaces along with the rise of leisure activities outside the home—actually contest the dominance of the domestic nuclear family form. (31)/ the new associative possibilities that the cash economy fostered into those of love and sexuality (128)/ privatization of property in marriage and its circulation on a newly emerging market (129)/ [On usury] Not only does usury reproduce money outside a productive labor economy, it actually fosters, ongoing relationships of indebtedness between people, perhaps best captured in the word “interest.” This contrasts with the simple exchange of commodities for money, which ordinarily depersonalizes, equalizes, and limits the relationship between the transacting parties. (141)

l   Privatizing/publicizing function of marriage
once a means of subordinating a couple’s relationship to a larger social network, marriage has become more and more a means of separating a couple from broader ties and obligations. The wedding’s contradictory restrictive and expansive, privacy- and publicity-making qualities (11)/ By the mid-nineteenth century, the middle-class English wedding was marked by new aspects—the white dress, veil, honeymoon, father giving away the bride—that marked both the emotional seclusion of married love and highly polarized gender roles that enabled the marital couple to function as the smallest possible economic unit (26)/ wedding’s privatizing and collectivizing functions (27)/ If the state comes into being and maintains itself by regulating sexual and reproductive relations, then the dissolution of marriage into a contract regulated by the couple threatens, at its most extreme, to dissolve the state. . . . . Thus, as Anglo-American juries shaped marriage, it became a contract that once entered into, established two status relationship: one between husband and wife, and one between the couple and the state. (107) She exhorted its citizens not just to vote but to emote together and rhetorically reconfigured disenfranchised populations as “feeling” subjects who were worthy of political rights by the very strength of their sensations. Thus marriage, thought it could not literally ally states and remap territories in the United States as it had in monarchical states, allowed the subject to access, rehearse, and deploy a set of emotions that, in turn, served to bind him or her to a larger democratic entity. (109-110)/ [“civil wedding” two contradictory goals] to represent the “first instance” of the state and yet also prove the state’s prior existence by submitting the couple to its regulation of the affections; and to forge ties among members of an entire polity and yet also establish a properly dyadic cross-gender marriage. (111)


l   Marriage in 19th century US
Begninning in the mid-nineteenth-century United States, state and eventually federal governments renewed their supervisory role over betrothal and marriage, and the ceremony expanded to include large numbers of lay witness. (12) Governmental regulation of marriage in the United States intensified only in the mid-nineteenth century. At that point, the United States reestablished jurisdiction over marriage by reviving the policing function that banns had once had, developing a series of prenuptial tests that would determine the fitness of the couple to marry, and conflating fitness to marry with access to citizenship. (22)/ Beginning in 1855 with laws that insisted that a foreign woman’s nationality would follow that of her U.S. husband, the federal government began to make marriage into a central technology of women’s membership in the nation. In 1907, the U.S. wives of male noncitizens were automatically expatriated: women with unruly desire for “foreigners” were considered expendable citizens. (22-23)/ The third test was monogamy: in the 1860s, the U.S. government made couplehood the official sexual form of the Untied States by outlawing polygamy, a prohibition that continues to this day. Indeed, Utah gained statehood in 1896 only after the Mormon Church explicitly repudiated polygamy. (23)/ By the early twentieth century, marriage was tied to the reproduction of a physically healthy population through state laws requiring tests for venereal disease and restricting marriage between blood relatives. (23-24)/ [More on polygamy and other complex marriages in Chap 4, especially on 136]

l   Protestant marriage
While the Catholic Church saw the secular family as its primary competition, then, Protestant saw it as a primary ally, an extension of and an analogy for the state’s authority. . . . they used civil marriage as a reenactment of the covenant with God, which interlocked the subject with God and secular authorities including magistrates, masters, fathers, and husbands. In this sense, through Protestant marriage seemed to release its participants from a tangle of institutional mediations, it actually just embedded them in a new set: those of the secular state. (18)/